The term Niramaya carries multiple connotations and finds resonance across diverse belief and language systems — including Buddhism, Pali, Hinduism, Sanskrit, Marathi, Jainism, and Prakrit. Translating to “that which is free of ills,” the concept is interpreted as a mother-and-child form — an expression of the safety felt in a mother’s embrace and the hope her presence evokes. Standing 21 feet high, the sculpture is crafted in cast brass with a patinated bronze finish by the acclaimed artist and product designer Mukul Goyal. Installed at the newly redeveloped PMCH building, it commemorates a century of devoted care and healing by its teams. While the lighting scheme is necessarily dictated by how and where a sculpture is placed, only in very collaborative efforts does lighting also inform the placement of the art itself. While the initial intent was to position the sculpture at the center of the courtyard, the overhead floors obscured sightlines upon entry. It was therefore recommended to locate the piece slightly setback in the space. The also allowed spotlights to be located symmetrically in the front and rear of the sculpture, without being visible or obtrusive from the upper corridors. Echoing the sculpture’s warm bronze tones, 2200K amber spotlights gently pick up the form from all sides. This is complemented by cool 4000K lighting integrated within the sculpture at the base emphasizing depth and contrast, and rendering it with an inner, serene glow.
Patna, India